Photo by Steven Thomson
Pop-Up Houston
It was 7:30 p.m. on a brisk Saturday evening in February, and Esther Gutstein rushed to mount the final pieces for the opening of her gallery, the Brayer Room. The first guests had already arrived: a mix of camera-clad young artists and their friends, along with a bevy of older art collectors. The crowd populated the gallery’s one-story, historic 6,000-square-foot building at 214 Fairview Street, seeking a glimpse of the city’s emerging artists, or at the very least, a view on one of Houston’s newest gallery spaces.
Only days later, not a trace of the Brayer Room would remain. That’s because Gutstein mounts a gallery pro tem, arguably the first local incarnation of the international phenomenon of “pop-up” art spaces. In the wake of a global recession, a glut of unoccupied real estate has been reinvigorated as alternative art spaces in the vein of the Brayer Room. While this pattern can be traced to the art nexuses of London, New York, and Chicago, the Brayer Room is a distinctly Houston endeavor.

