This review is part of a special series about preservation in Houston, edited by Helen Bechtel, published in connection with two national preservation conferences in Houston in November.
Houston has long been thought of as a city that only cares about its future, a city that tears down its old buildings, a city that disregards its history. It’s hard not to believe that, especially when you check the list of lost landmarks: art deco icons such as the 1929 Turn Verein, the 1934 Southern Pacific depot with its monumental murals of Texas history, or the 1938 Jeff Davis Hospital — or the stunning midcentury modern 1949 Shamrock Hotel in all its glitzy décor, or the 1952 Prudential Insurance Building with its Peter Hurd mural, now relocated to Artesia, New Mexico. Perhaps most mourned by locals are the quartet of 1920s movie and vaudeville palaces — the Italianate 1923 Majestic (John Eberson’s first atmospheric theater), the Adamesque 1926 Kirby, the Louis V 1927 Loews State, and the marvelous Egyptian 1927 Metropolitan. Out of this list of the lost, only the Shamrock drew loud voices of protest from Houstonians.
And yet this reputation is itself a relic. Houston has turned a corner. After half a century of organizing, we now have a preservation culture and laws to protect parts of the built environment. This may be hard to believe, but I will argue that no other city in the country has such an opportunity to become ground zero for the future of the preservation movement. Now is the time to shift from lament to action.