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Category: Art & Culture

Ovoid1

Photos courtesy of Dean Liscum

Harbeer Sandhu
  • Harbeer Sandhu
  • Oct. 2, 2009
  • 6:13 PM

Where Can I Buy Ambien


Ovoid1

Photos courtesy of Dean Liscum

Where Can I Buy Ambien, A sign blocks the steps to the porch---plywood with orange spray paint bearing a three-digit address. You step around it and onto the screened porch. Two bright orange stickers from the city’s Code Enforcement Group pasted to the window announce the obvious---you should not be here. This building is condemned and slated for demolition. You hold your hands to the glass and look through your reflection into a house with no roof, no floor, no inside. Beyond your reflection, open to the elements, lies an ovoid hole, Where Can I Buy Ambien. Taking 40 miligrams of ambien, * * *

We hammer wood for a house,
but it is the inner space
that makes it livable.

We work with being
but non-being is what we use.

- from Chapter Eleven
Tao Te Ching
translated by Stephen Mitchell

* * *
GivetakeOviod2
I walk into a museum and before me, a great, floating mass mocks gravity. The shingled ridge of a roof is suspended from the ceiling and, below that, generic ambien internet, apparently on invisible wires, the egg-shaped innards of a home---half-open doors at either end of a hallway along with portions of the floor and ceiling. Where Can I Buy Ambien, A red robe is pinned on a hook. Mounted beside it, the wooden notch for a closet rod faces the sterile museum space, rent from its mate.

I read the title card on the Contemporaries Art Museum Houston wall:

Dan Havel and Dean Ruck
Give and Take, History of ambien, 2009
Reclaimed sections from condemned bungalow at 931 Cottage Street, Houston
Sculpture: 20 x 30 x 15 feet
Courtesy the artists and Devin Borden Hiram Butler Gallery, Houston

I imagine it printed on orange sticker paper and affixed to a window.

* * *
PictureOVOID
You enter. It smells of dust and mold; stagnant water. A picture hangs on the wall to the right, just above the light switch, Where Can I Buy Ambien. It depicts a child---a happy child. The lower-right corner broadcasts a logo---the photographer’s. No, theraputic ambien levels, the crown logo is for Regal Picture Frames.

Behind you, on the mantel above the fireplace sits a clock. Where Can I Buy Ambien, You watch your step---there are holes in the floor that are bigger than your foot. It is 7:43. Forever 7:43. Even a stopped clock is right twice a day. Will ambien cr make you crazy, Beside it, a tableau consisting of a gold plastic trophy cup mounted on a white plastic base, a soft pack of menthol Swisher Sweets, an angel figurine candle holder, and a white plastic reindeer about two inches high.

You step around the big hole in the house to enter the next room, Where Can I Buy Ambien. Without hallways---those empty spaces that connect the useful spaces---this house is almost unnavigable. A double-negative.

* * *

I walk the perimeter, purchase ambien prescription. The house, this piece of a house, rather, is raised on cinderblocks. Where Can I Buy Ambien, Like a stage, except real people lived here. An old man and his sick niece. I crane my neck and imagine them pacing the worn boards of the hallway. Ambien damage permanent or temporary, A can opener is mounted to the kitchen wall. A gas pipe and a relatively lighter patch of wall indicate where the stove must have stood.

* * *
Kitchen

You step around the gaping void and pass through the next room, where gossamer strips hang from the remains of the ceiling and a broken, dusty mirror reflects the image of a window, Where Can I Buy Ambien. Vines shoot through the holes in the floor.

A door leads into the kitchen. You see piles of dishes and utensils. You are happy to note a bright orange ice cream scoop among the utensils. Where Can I Buy Ambien, You hope the wretched people who lived in these crumbling walls enjoyed at least that. The kitchen window is busted and a page from an old Houston Chronicle stretches over the gap. It’s from November 18, ambien books, 1990, page 16G. “Soviets Want to Strike Up Friendship Through Mail,” reads the headline. The story is about a non-profit in Florida that tries to match Americans with Soviet pen pals in an effort to promote peace and understanding. This organization, called Letters for Peace, has been overwhelmed by the flood of letters in the wake of “Glasnost.”

This is the room where the troubles began---the house’s troubles, at least, Where Can I Buy Ambien. The roof sprung a leak which was never fixed; the leaky roof let in water, Ambien information sheet, and water brought the ceiling, then the floor, down.

* * *

The supreme good is like water,
which nourishes all things without trying to.
It is content with the low places that people disdain.
Thus it is like the Tao.

- from Chapter Eight
Tao Te Ching
translated by Stephen Mitchell Where Can I Buy Ambien, * * *

Cross-sections compress time. Fell a redwood and bear witness to 2, next day ambien,000 years at once. Here Jesus; there Gutenberg. That year, drought; this year here, forest fire. Set your gaze upon a canyon wall and behold two billion years at once. This place was the sea floor, then a mountain, now it’s a plain, Where Can I Buy Ambien. Generic for ambien cr, Trilobites, then dinosaurs, then mammoths. Shale. Granite. Limestone. Where Can I Buy Ambien, Slice open a house and see what happens. See a calendar from April 2004 hung on wallpaper from 1973...hung on gypsum board from 1936...hung on wood panels from 1915...

But a cross-section is also a dissection, ambien remeron no prescription overnight ship. It splays open the innards to serve up a snapshot of the eternal present, but the present, now open, cannot be put back inside the box. The house, the canyon walls, Ambien positive drug screen, the redwood--the insides which once held their secrets are now open to the elements. Decay has already set in, Where Can I Buy Ambien. The act of slicing open time to behold all of time in one, static moment has not frozen time--it has accelerated time. Snap a photo while you can.

* * *
BULBOVOID

There are two rooms you will not enter--the back two. Even the old man and his niece never ventured back there--just gave them over to the massive pile of junk and the rats and roaches. Where Can I Buy Ambien, Ironically, they are now the most intact rooms in the whole home.

You step over the sloping remnant of a wall and peer through the conical intersect where the saw met the juncture of several walls and a door. Floral print wall paper hangs clings to cracked drywall which clings to termite-eaten wood paneling which cling to rotten wall studs, ambien female hair loss. Festive paper plates sit atop the desk, and a stack of papers on the windowsill reveal a property tax receipt from Harris County in 1974 for $15.39; a receipt book from 1975 containing carbon copies of rental receipts for two different properties--a garage apartment that cost $24/mo and another unspecified place which went for $15/mo; and a check made out to Walgreen’s on September 15, 1965 in the amount of $3.65. You wonder what $3.65 could have bought you from Walgreen’s in 1965 if rent, ten years later, would equal just four times that. One quarter of your own current rent would go a long way at Walgreen’s, Where Can I Buy Ambien. Symtems of death by ambien, * * *

The Artist is a man with two full names and four arms. The Artist says that the holy house and its dismembered insides are not two separate pieces but two parts of one whole. And not just that---The Artist considers even the space between the two parts---the space that you, the viewer, must traverse to behold the two parts of the whole---to be part of that whole.

* * *

"I am a designer, specializing in interior design,” writes Marina Kamin, ambien zombie, who lives in Kishinev, in the Moldavian Soviet Socialist Republic. Where Can I Buy Ambien, “I love to do other crafts, like embroidery, knitting, sewing. I have a daughter, Christina, she is 9. She is fond of drawing, Gastric ulcer related to ambien, playing piano. We are great friends. We both love animals. At home we have a cat, a dog, a parrot and fish, Where Can I Buy Ambien. I like to travel; it is important for me as an artist.
"I have many friends and I value them very much. Life is full of stress, tension. Friends are important in time of hardship and joy, ambien sleeping med. Where Can I Buy Ambien, I hope to meet a good friend in your country."

(Kirschenmann, Jay. “Soviets Want to Strike Up Friendships Through Mail.” The Houston Chronicle 18 Nov. 1990, Star ed.: G16.)

* * *
ovoidbathroom
You step down into the void to avoid the bathroom. Though generations lived and died---played out the dramas of their lives---merely two feet above it, this patch of ground that you now stand upon did not see human eyes for the decades that the house stood whole.

You are eager to return to the world of normal smells, Ambien cr vs ambien, but you pause to make note of one lone wooden notch mounted on a wall that must have held up one side of a closet rod. Finally, you survey the last room—the front room, Where Can I Buy Ambien. The room where your reflection in the window glass stood before you entered this hole. Laid out on a hutch, beside an ashtray and a corroded 9-volt battery, are ribbons: Fifth Place (pink) in the 2nd Annual Junior All-Breed Horse Show at the Pin Oak Stables, 1965; Second Prize (red) from the Houston Chihuahua Club, April 21, 1951; First Prize (black) from the Houston Kennel Club on March 29, ambien cut tablet in half, 1953. Beside the ribbons, four photos are splayed on top of an empty photo album: a young boy, seven or eight, wears a plaid shirt and kneels on a lawn (black and white); an infant in hospital incubator (black & white); an old couple stands beside train cars---she looks warm and friendly with her hand on his arm, he wears a hat and looks grumpy with his hands in his pockets (sepia toned); and a magazine photo of Jane Withers all done up, Philips ambien home theatre systems, a press photo from 20th Century Fox (colorized).

* * *

Return is the movement of the Tao. Where Can I Buy Ambien, Yielding is the way of the Tao.

All things are born of being.
Being is born of non-being.

- Chapter 40
The Tao Te Ching
translated by Stephen Mitchell

* * *
2x4ovoid
You walk the perimeter. You peer in all the windows. You survey the exit wounds, Where Can I Buy Ambien. You note the 2x4 buttresses holding this empty shell of a house together. Without the insides, ambien usual prices, the centre cannot hold. Things fall apart.

* * *

You return, but instead of the shell of a house, you find a backhoe towering over a pile of debris. Where Can I Buy Ambien, * * *

You return yet again, with a camera to document the pile of debris, only it’s been excavated--the ground leveled with white clay. All that remains is a plywood sign--the address spray painted on in with construction site orange. Ambien tab, You gaze at the empty lot. You cannot resist walking its length, where hallways and closets once floated on piers and beams. You are glad you wore old shoes, because you immediately sink into the mud. You pace where others, before you, paced, Where Can I Buy Ambien. You inhabit the void--what was once enclosed space is now open space--but it bears the same coordinates and you inhabit it, now, nonetheless, ambien shop.

You hear voices---there is a porch sale next door. You rub your shoes in the grass--dragging, scraping, left, right, bottoms, Where to find ambien on line, sides. The mud clings. Where Can I Buy Ambien, You stomp in the puddle beside the curb. The mud loosens and dissolves.

On the porch next door this Sunday morning a woman sells assorted trinkets and talismans. You consider purchasing a Beck CD that you once owned and lost. You admire a brass bird cage and a silver and ivory belt buckle. You notice three empty picture frames, never used, still wrapped in plastic---they hold no photos of strangers, only the Pottery Barn logo, Where Can I Buy Ambien. You admire the font and smile when you see stacked, also for sale, a set of three white canvases. Blank. Empty.

You notice, when you arrive home, that you are still trailing mud. You have collapsed the space between “Give and Take” and your own home.
finalovoid
* * *

You Google the address and click on street view. The house still stands intact.

Harbeer Sandhu is a graduate of the Creative Writing MFA Program at the University of San Francisco and New York University..

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Chipperfield

David Chipperfield speaks at the Menil [Photo by Raj Mankad]

Raj Mankad
  • Raj Mankad
  • Oct. 2, 2009
  • 12:09 PM

Cheap Ambien Online


Chipperfield

David Chipperfield speaks at the Menil [Photo by Raj Mankad]


Cheap Ambien Online, During his presentation to a packed audience at the Menil yesterday, David Chipperfield referred to the Richmont Square apartments as "the great big thing," "this thing getting in our way," and a "nonconforming" space. Charged with developing a master plan for an expansion of the facilities for the Menil Collection, purhasing ambien, Ambien from canadian pharmacies, he quickly identified the redevelopment of that site as the key to expanding while also maintaining the positive qualities of the current campus.

Before the internationally renowned architect spoke, i got pregnant while taking ambien, Ambien habit forming, the director of the Menil, Josef Helfenstein, buy ambien without a prescription, Caremark rx ambien, announced the plan had been unanimously approved by the board.

Chipperfield succinctly presented the core aspects of the plan, cheap ambien 32. Ambien in asheville nc, He began with some aerial views; then diagrams showing the current building, street infrastructure, ambien free 2007 jelsoft enterprises ltd, Melatonin to taper off ambien, and circulation; and finally basic plans and renderings of how the campus would be configured.

He called the main building of the collection in which he spoke "Renzo Piano's best building." He described how the colonnade mediates its scale, a very important factor given that it is surrounded by bungalows and two-story houses, Cheap Ambien Online. The extraordinary institutional buildings of international caliber confront "domestic normality." Showing pictures of the oaks lining Sul Ross and Branard Streets, ambien vision, Xanax ambien, Chipperfield talked about a "convincing and relaxed landscape."

What distinguishes the Menil is the sequence from parking across lawns to buildings with oblique orientations. The "inconvenient but charmingly off axis" paths to art allows visitors to decompress, dateline ambien. Ambien erectile dysfunction, He also spoke about the little forest of trees between houses. Having lived in the neighborhood for eight years and taught children at the Menil through the Writers in the Schools program, ow to detox from ambien, Ambien cheap buy, I was impressed by Chipperfield's ability to describe what makes the experience of visiting the collection so distinctive. Cheap Ambien Online, He distilled and codified its virtues into simple principles: domestic normality, relaxed landscape, oblique orientations, and off axis sequences.

Now for the actual details, ambien ld-50. Ambien store, The car park along Alabama would be strengthened with the new bookshop, cafe, taking ambien cr with trazodone, Drug interaction ambien plavix, and auditorium nearby. The key change would be to connect West Main across the site through the area occupied by the northern end of Richmont Square, ambien xanax amnesia. Ambien breast feeding, The complete street grid would surround a new green space that would also be made possible by the clearing of the north side of the apartments. It would connect, slightly off axis, with the current Menil park between the main building and the Rothko, Cheap Ambien Online. The Drawing Institute and Study Center and Single Artist Studios would be sited around the new green space, prblems with ambien cr. Ambien crash morning, And along Richmond itself, the plan calls for dense residential and commercial development, ambien dr reddy.

What the master plan does not change is as notable as what it does. Most of the bungalows are preserved. Cheap Ambien Online, Chipperfield repeatedly referred to their "precious" and "hidden" domestic character. The current main building and park remain the center of gravity.

Two people from the audience asked whether the plan goes too far in codifying the Menil's positive qualities, making them overly precious, a parody or Disneyland version of its former character. Chipperfield response was deliberate and calm throughout. He called the plan a balancing act. Whereas an Italian square has an identifiable formalism that can be easily described and replicated, the informal and rather mysterious Menil was harder to expand upon. "We might call it a campus," he said, "but we don't want it to feel that way."


View Larger Map

For our previous coverage, see Chipperfield and the Menil Masterplan: An Interview with Josef Helfenstein.

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Henrique Oliveira's "Tapumes" installation at the Rice Gallery [All photos by Jesse Hager]

Jesse Hager
  • Jesse Hager
  • Apr. 10, 2009
  • 12:39 PM

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Henrique Oliveira's "Tapumes" installation at the Rice Gallery [All photos by Jesse Hager]


Diazepam Buy, Five days before the opening of “Tapumes,” stacks of thin wood lay parallel across the Rice Gallery floor, arranged in varying widths of similar colors. Ladders and lifts outnumbered the installers. Behind the screened entry, diazepam compendium, shapes jump and dive into view giving passers-by a notion of what is to come, Diazepam information, the first solo exhibition in the United States from Brazilian artist Henrique Oliveira, now open at the Rice Gallery until May 9, 2009, bio diazepam interactions.

At the age of 34, Interaction of diazepam drug, Henrique Oliveira earned his Masters of Visual Poetics from the University of São Paulo. Slightly tense, with skinny dark jeans and curly hair, diazepam muscle spsm, his mannerisms bring to mind a young Bob Dylan. Oliveira began his artistic explorations as a painter and expands a vocabulary suited to brush and canvas, transposing terms such as “gestural abstraction, movement, and blending” into the context of sculpture, or more specifically “Tridimensional.” The latest of his “Tridimensionals” is called “tapumes,” a Portuguese word that references temporary construction fencing made from cheap Brazilian wood and discarded at the end of a job, Diazepam Buy. Clonazepam diazepam combining, Oliveira’s piece is a jolting repurposing of these weathered castoffs.

Doors open to the Rice Gallery and a diverse group of students, collectors and artists mill in and out of both the gallery and sculpture, diazepam hyrodcodone together good fun. “Tapumes” invites hands to hover a few inches from the surface, Diazepam adme, following the folds and curves of the wood. In the crowd you can observe people gesturing with cupped hands or tracing fingers in explication of the fantastic landscape they have found. Diazepam Buy, Pliant and supple, Oliveira’s construction appears so flexible that it gives the impression that pushing on one bubble would create two more. A girl slips between the installation and a solitary shape that seems to have dripped from above, diazepam next day shipping. This is a sculpture that begs to be occupied. Diazepam us pharmacy, In fact the entire piece gives the impression that the artist is engaged in a schizophrenic nesting, inviting you to join. Leaning to examine the textures, ketogenic diet diazepam, depth of color, Rectal diazepam suppositories, tunnels, and voids formed by the thin wood it appears at times violent and at other moments serene. Caves and tunnels are formed so abruptly that they betray the slenderness of the surface; one can’t help but wonder if there is more beneath, Diazepam Buy.

Colors seem pulled directly from weathered beach houses, promethazine diazepam synergy, yet occasionally are so vibrant they could only be South American. Diazepam suppliers generics, Oliveira uses scraps shipped from Brazil but also collected in Houston, mixing languages, blending the materials, cheap diazepam 32. The composite of so many pieces of wood, Diazepam advanced guestbook 2.4.2, layered and overlapping, gives the sculpture a unity that surpasses the individual beauty of the elements and shapes. The piece recalls Oliveira’s origins as a painter in that it is built up in layers, mexican diazepam without prescription, over time. Diazepam Buy, With his hands crossed nervously in front of each other at his belt, Henrique Oliveira describes his background, his inspiration for the Tridimensionals, and his process of assemblage. Diazepam light sensitivity, The installation of Tapumes took two weeks to construct, beginning with an underlying framework of flexible plywood. These pieces are bent and curved to form the bones of the sculpture, can you snort diazepam. Suggested by the contours of the piece “underneath is an entire installation” of criss-crossing ribs and cavities. Veterinary diazepam, Small sketches are used to explore possible individual shapes by Oliveira but he does not begin with a completed vision of what the work will be. Once the framework is in place, he begins by wetting the stained strips of salvaged wood then applying them in layers affixed with staples, Diazepam Buy. A time-lapse film just outside the gallery shows his process.

Visible by their tiny glint, 5 mg diazepam, Oliveira makes no attempt to disguise the staples holding his piece together. Tramdol escitalopram mirtazapine buspirone diazepam, These reflections are the only perceptible suggestion of structure. Where figures peel from a wall or ceiling, the increased frequency of staples indicates the acrobatics required to achieve the desired form, diazepam low cost. Diazepam Buy, Some curves are negotiated between strips without any staples, some require many.

One of the mysteries of a piece such as “Tapumes” is how the artist decides when it is complete. Cheap diazepam online, Certainly the structure is hidden; a primary wall or object is covered. When do the layers of wood stop unfolding along the walls, stop spilling from the ceiling, diazepam clearance, stop wrapping and bending. A young child at the opening suggested, “he must’ve run out of staples.”




Images from the gallery:










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Peter Wang and Colin Tangeman [Photo by Raj Mankad]

Raj Mankad
  • Raj Mankad
  • Mar. 27, 2009
  • 10:15 AM

Clomid Pharmacy No Prescription



Peter Wang and Colin Tangeman [Photo by Raj Mankad]


Clomid Pharmacy No Prescription, Peter Wang is a Geophysicist, a League of American Bicyclists cycling instructor, and an advocate for cyclists in the Houston-Galveston region. On March 5th, sitting outside the Brochstein Pavilion, he discussed the state of bicycling with Colin Tangeman, a writer and teacher at the University of Houston, and Raj Mankad, Clomid pdr, editor of Cite.

Raj Mankad and Colin Tangeman: What is your vision for cycling in this area. What are the problems. What needs to happen.

Peter Wang: Do we mean Harris County or City of Houston, that’s an important distinction, Clomid Pharmacy No Prescription. Dan Raine is the head of the Houston bicycling program and he’s got pretty big ideas. He’s revamping the early 90s bike plan. He has a budget and projects that he inherited which will be executed and built, clomid best day. He wants to do education and outreach. Clomid Pharmacy No Prescription, But outside of Houston, there’s nothing.

RM: Cite’s audience is not confined by...

PW: Montrose.

[Laughter]

RM: We want to expand our coverage. We aren't restricted to the borders of the City of Houston or even the Houston-Galveston area. We cover Texas and beyond, Clomid Pharmacy No Prescription. Visual disturbances with clomid, It’s a magazine from Houston.

PW: Does the magazine focus on the urban form only or also suburban form.

RM: Both---plus industrial zones and rural pockets.

PW: OK. Clomid Pharmacy No Prescription, I’m speaking as a user. I think cyclists in the Houston area use cycling the way walkers in more dense cities use walking. There are walkable areas, but if you look at the whole area you can’t walk, 5 days after clomid. If you look at the area where I live, in the Katy area, you can’t walk. I use cycling for short trips, in order to bridge gaps, Probability of subsequent pregnancies on clomid, the way people in a real compact area would use walking.

What I’ve found since I got training in 2003 on how to ride in traffic is you carry your own safety with you, Clomid Pharmacy No Prescription. You create a lot of your safety outcomes as a cyclist. Not all of them. There’s a huge perception in the public that cycling is the most dangerous thing you can do; that if you cycle in the road, you’ll get killed. I wear a helmet always, but the best thing you can do in cycling is to operate so you never crash, clomid opks. Clomid Pharmacy No Prescription, If you crash, your helmet might help you, but it might not. Safety has to do with three-dimensional situational awareness. Communicating with drivers. Using the right equipment, especially lights at night. Trip planning---staring at maps and figuring out where you are going. Route planning is critical, Clomid Pharmacy No Prescription. Order clomid online with no prescription, You find you can actually get to a lot of places without too much time penalty. Sometimes you are beating cars.

RM: Often the routes cyclists end up picking are historic.

PW: Yes. Clomid Pharmacy No Prescription, Exactly. You find neighborhoods you would never go through in a car. You meet pedestrians. You say hello to them, clomid clomiphene ovulation induction infertility. You bond to the people you live with. In a car, you're isolated, a man in his castle, Clomid Pharmacy No Prescription. Some critics say the weather here is too hot. I’d rather have it hot than snowing.

CT: It’s easier cycling in heat than ice. That’s when I fall in Wyoming, Femera vs clomid, in the ice. Clomid Pharmacy No Prescription, It's painful.

PW: After finding the experience of cycling is not as bad as you thought it could be, then you come to the conclusion that half the reason people don’t cycle doesn’t have anything to do with infrastructure. It has to do with culture. I bet it goes back to the cowboy days or further. Bicyclists are low on the social pecking order. We revere the man on the horse, which has morphed into the F150 [pickup truck] or F250, Clomid Pharmacy No Prescription.

[Laughter]

We’ve carried that cultural baggage forward from the 19th Century, clomid can it prevent ovulation. Historically, if you were on foot instead of horseback, you were likely poor, or a child, or a slave. Clomid without prescription fast shipping, Our society is very race- and class-conscious, therefore we still cling to mobility mode as a social marker, which is preposterous.

CT: One of my friends, who is a graduate student from Peru, didn’t have a car and was walking around Houston. Clomid Pharmacy No Prescription, He is stocky and dark-skinned. And he felt resentment and belittlement, soy isoflavones vs clomid.

PW: You pick that up if you cycle, unless you cycle like you belong there.

CT: That's why outreach is so important. People don't know that it's legal for cyclists to ride in the street.

PW: Also, Americans and Texans aren’t physical, Clomid Pharmacy No Prescription. Some people can’t imagine a form of transportation where they get breathless, Longer menstrual cycles with clomid, a high heart rate, and perspiration. They don’t find that desirable. There's that Disney animated movie Over The Hedge where insects point at an SUV and they say that humans are losing their ability to use their legs. There's some truth to that. Clomid Pharmacy No Prescription, We are losing touch with our bodies. There is a spiritual dimension to it. There are links between mind, longer periods with clomid, body, place, and other people that are broken by the way we live. When you travel by bicycle or walking, you really feel like you’ve covered the distance. Clomid, When you get in a plane or a car, you ask… “what did I just do?” There is no sense of a journey. And people who live in the suburbs feel extremely isolated, and take anti-depressants in an effort to get over those feelings, Clomid Pharmacy No Prescription.

RM: Do you see the local culture changing.

PW: We start from the culture we’ve got. We start with the infrastructure we’ve got. The questions is how do we change it. Clomid Pharmacy No Prescription, And you can’t make people change. They have to want it, using clomid in the early trimester. As far as the end goal, I think the percentage of trips taken – in Portland it is around 6% by bicycle – in Houston it is less than one percent. A good stretch goal for Houston is 5%. If in five years, we can get where Portland is today – oh boy, Clomid discussion, that would be a stretch goal. A great accomplishment, Clomid Pharmacy No Prescription.

My base level of expectation---in some parts of the county we are losing cyclable roads--- is to hold on to what we've got. I'm having trouble doing that in the neighborhood where I live. I think as far as emergency situations that alarm me, it’s the loss of bicycling infrastructure.

RM: What's the governance of those roads.

PW Clomid Pharmacy No Prescription, : Harris County Judge Emmett doesn't have any real power over the roads. It all belongs to the precinct commissioners who are elected, clomid for someone who ovulates. Steve Radack, Jerry Eversole, Silvia Garcia, El Franco Lee. They aren't accountable to a city council. Clomid ivf protocol, They have a lot of power. A long time ago, Harris County came up with the policy that they don't consider bicycling safe and they won't spend any money on it, Clomid Pharmacy No Prescription.

RM: The City of Houston has applied for Bicycle Friendly Community certification from the League of American Bicyclists and received an honorable mention.

PW: That's true for the city, but not the county. At the Houston-Galveston level, we need a regional bikeway plan that every local government uses. The Houston Galveston Area Council has a new bicycling coordinator, clomid safe period. Clomid Pharmacy No Prescription, If I were in that job, I would want to sell a vision to communities about how bicycling can help their citizens. Getting federal funding is important, but it could be changing construction practices.

The street grid in downtown Tomball---you don't need a bikeplan. It's like the Heights. Very rideable. Older towns don't need a plan, they just need a way to connect to other centers, Clomid Pharmacy No Prescription. Can clomid stop ovulation, In the case of Tomball, they do have a bike plan for FM2920. Tomball will be connected to a regional bikeway.

The paths in my Precinct 3, I'd give a B and getting better. That's Radack. Clomid Pharmacy No Prescription, Roads, there's nothing. Paths get a B, clomid early o, but roads get an F. If you can ride on a road, it's by accident. The city I'd give a C but getting better. The sweeping way to deal with all this instead of piecemeal would be a regional bicycling plan that evolved from the bottom up and top down; that would serve destinations and neighborhoods; and that all the local governments would agree to do it in a timely manner. There is a plan but no funding, Clomid Pharmacy No Prescription. Buy cheap clomid, There is a HGAC regional bikeway plan, all these lines on a map, but no funding. They weren't designed with transportation in mind, but with recreation in mind. Nothing wrong with recreation, but nothing for shopping and transportation, ovulation day clomid. That was a top down plan, zero input from users. Clomid Pharmacy No Prescription, It's sort of a non-starter. None of the people who elaborated the plan ride bikes. It's like a non-surgeon doing surgery. That's how to deal with it systematically to have a plan with buy-in from all the stakeholders. Clomid for twins, My big issue this year was trying to get bicycle hangers and racks for inside the light rail cars. METRO decided not to do that, which I think is a mistake, Clomid Pharmacy No Prescription. They continue restrictive hours for bringing your bicycle aboard. If you can ride a few miles to a train station, say you lived in Spring Branch, you could roll a few miles to the Northwest Transit Center, get on the Uptown line, get on the University line, and reach Rice fairly quickly. You would still be able to do it without the hangers, but you'd have to trust that your bike won't get stolen if you leave it. Not all the stations have bike racks. Clomid Pharmacy No Prescription, METRO does allow folding bicycles on the train at any time. I have one, but a normal bike rider wouldn't go for the extra expense. They are pretty rare and hard to get.

There are so many battles out in the suburbs. Suburban school districts lower the cost of educating their students by having big schools with a wide footprint. They bus all the students in, Clomid Pharmacy No Prescription. They put the schools on land on major arterials. For the middle schools and high schools there is very little walking and biking access. They are not situated in neighborhoods. It does lower their cost of educating their students.

RM Clomid Pharmacy No Prescription, : I imagine that approach displaces cost on the families, lowers physical activity, and isolates schools from neighborhoods.

CT: It also indoctrinates kids into car culture. Bicycling was once the first initiation into independence.

PW: My son has had conflicts with other teenagers because he rides his bike. Kids pick up their values from their parents. Why should one kid harass another kid on a bicycle, Clomid Pharmacy No Prescription. They pick up this role of enforcer, especially if they are male. Texas teenage boys want to be cowboys.

RM: I think bicycles look more like horses than cars and trucks.

[Chuckles].

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Rendering of "Doughty Do" by Sharon Engelstein. The installation to open in March 29 at the Animal Service Facility includes 38 cast aluminum horses and two dogs.

John Pluecker
  • John Pluecker
  • Feb. 18, 2009
  • 3:32 PM

After the Firestorm: The Future of Civic Art

Rendering of "Doughty Do" by Sharon Engelstein. The installation to open in March 29 at the Animal Service Facility includes 38 cast aluminum horses and two dogs.

In November 2008, the Houston Arts Alliance was the target of an ABC13 Wayne Dolcefino report on the civic art program. The segment—titled “Where’s the Art?”—questions the purpose of Nancy Retz’s “Synchronicity of Color” installations at Discovery Green. The structures, which cover stairwells, are repeatedly referred to as a “waste” by an interviewee. The report goes on to question the rate at which projects have been completed. The civic art team at the Houston Arts Alliance has responded with an exhibit and series of discussions at the Space125gallery about upcoming plans for Houston municipal artwork. It includes sketches, design elements, information about the process, and examples of civic artwork. The next event is tomorrow, Thursday, February 19 from 6:00 to 7:30pm. It features artist Sharon Engelstein and Cite editorial committee member José Solis. A bit of history: ten years ago, the city adopted an ordinance that sets aside 1.75 percent of municipal construction costs (not including price of land or road projects for example) to go to the development of civic art. During the past ten years, the city's collection has grown to include upwards of 400 pieces. The vast majority of these pieces are found in local parks and libraries, while a significant portion are paintings held by various city departments. The nine projects currently in the pipeline for Houston include several exciting works by locally prominent and nationally known artists: mosaics produced through community collaboration by Reginald Adams, a huge mural at the Looscan neighborhood library by Bert Long, the row of 38 carrousel horses by Sharon Englestein, and the proposed bridge collaboratively designed by Elmgreen + Dragset and SWA Group set to cross Buffalo Bayou at Montrose. The Space125gallery exhibition at 3201 Allen Parkway will be on view until March 6.

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Raj Mankad
  • Raj Mankad
  • Jan. 13, 2009
  • 1:56 PM

A View of Ike

The above video was made by Sara Fernandez. She wrote, "Setting my camera on interval record looking out of my bedroom window (my home is in Montrose, west of downtown Houston) was always on my list of things to do. Hurricane Ike was the motivator to get it done. I wanted to capture the movement of the clouds and to see the storm that I would not have the guts to stand in front of my window to watch. I set the camera up at sunrise, 7:07 a.m. It was set to record 2 seconds every 30 seconds. Unfortunately, when the power went out I only had one and a half hours of battery life and was unable to keep it going throughout the night. I used a bit less than three mini DVs (one hour duration) during approximately 19 hours. The audio is from the two-second clips of television news from the morning and at night. I condensed over two hours of video into the segment that you see." I think the movie is arresting. It reminds of an essay about Houston in Smithsonian Magazine I read called"Southern Comfort" by poet Mark Doty. He wrote:
[T]he sky seems vast, and from any parking lot you can watch big white towers of cloud sail up from the Gulf of Mexico 50 miles to the south as if they were navigating the ship channel beneath them. The expanse of sky is so wide, there's often more than one thing going on. Rain may darken the western rim while a fierce sun illuminates cloud towers in the center and a brilliant blue fills the east. How can you forecast the weather when it's doing three things at once?
If you enjoyed this video, you will probably love this large mp4 download from the National Weather Service called "Life of Ike."

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Emergency Response Artist Studio [Photo courtesy of Jonathan Ferrara Gallery]

Raj Mankad
  • Raj Mankad
  • Jan. 8, 2009
  • 2:40 PM

Paul Villinski’s Emergency Response Studio

Emergency Response Artist Studio [Photo courtesy of Jonathan Ferrara Gallery] The Rice Gallery features site-specific, commissioned installations and every one that I have visited there has been extraordinary. Last Fall, an installation by Aurora Robson used cut plastic bottles and rivets to create winding translucent tunnels and domes. When I took my two-year-old daughter to visit she ran through it with arms outstretched pretending to be a dragon. The gallery's next adventure is a departure from the lyrical, morphogenic pieces I have come to associate with it. In fact, it's a "FEMA trailer." In August 2006, on a visit to post-Katrina New Orleans, Paul Villinski wished he could transport his studio from New York to the Lower Ninth Ward, so he could create work in response to the conditions he found there. Creating Emergency Response Studio was his solution. Over seven months, Villinski transformed a salvaged FEMA-style trailer into a rolling, off-the-grid live/work space that could house displaced artists, or allow visiting artists to “embed” in post-disaster settings. “I believe we ought to consider deploying artists as part of the mix of disaster workers, medical personnel, NGO’s, architects, and urban planners – those people charged with responding to, repairing, and re-envisioning disaster sites like New Orleans,” says Villinski. To this end, from April to October of 2008, Villinski worked nonstop, gutting, rebuilding, and playfully rethinking a 30-foot Gulfstream “Cavalier” trailer virtually identical to the 50,000 trailers built by Gulfstream for FEMA. Re-born as the Emergency Response Studio, the trailer’s formaldehyde-ridden original materials are replaced by entirely “green” technology and building materials, including recycled denim insulation, bamboo cabinetry, compact fluorescent lighting, reclaimed wood, and natural linoleum floor tiles made from linseed oil. It is powered by eight mammoth batteries that store energy generated by an array of solar panels and a “micro” wind turbine atop a 40-foot high mast. Not only practical, Emergency Response Studio is a visually engaging structure with an expansive work area featuring a wall section that lowers to become a deck. A ten-foot, elliptical geodesic skylight allows extra headroom and natural lighting in the work area. Though designed as an artist’s studio and residence, Emergency Response Studio is an ingenious prototype for self-sufficient, solar-powered mobile housing.

Emergency Response Studio
Emergency Response Studio will be installed in front of the gallery on the Brochstein Plaza. It is the second in an ongoing series of architectural installations; the first was Bamboo Roof by Japanese architect Shigeru Ban. Paul Villinski’s project will be accompanied by an installation in Rice Gallery which details the construction process, and features further information about “movable” housing. The installation will also be accompanied by an exhibit by the Rice University Solar Decathlon team. The current issue of Cite includes a short piece on the home that is now under construction and will eventually be transported to the National Mall. Below is a schedule of events: Thursday, 29 January Opening Celebration 5:00 - 7:00 pm Remarks by Paul Villinski at 6:00 pm Friday, 30 January at Noon Gallery Talk by Paul Villinski Complimentary light lunch for all who attend Saturday, 31 January - Sunday, 1 February Paul Villinski will be on site to answer questions about Emergency Response Studio.

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"Nimby" by Kevin Curry. [Photo by Eric Hester]

Raj Mankad
  • Raj Mankad
  • Dec. 6, 2008
  • 12:44 AM

Cite 76: Housing, Ike, the Astrodome, School Design, and More

"Nimby" by Kevin Curry. [Photo by Eric Hester]

The cover of the Fall 2008 issue of Cite draws together much of the content from the issue, which includes features on affordable housing and Hurricane Ike. The photograph shows "NIMBY," a structure fashioned by Kevin Curry from fence boards, posts, rails, and other hurricane debris he scavenged from the streets. Built just large enough to hold a single bed, the structure, according to Curry, “addresses the fragility of safety and comfort.” What a timely word - fragility. Not just because a hurricane cast us into darkness for weeks and demolished the coastline, but also because of the financial crisis, the housing market, rising unemployment, the fluctuating price of oil, wars, attacks, and everything else headlining the papers. Cite comes out quarterly and we cannot pop the latest images of destruction on our covers. The Chronicle and CNN showed so many before-and-after pictures of Ike destruction that by the time our beloved magazine came out, we were jaded to the images of crunched-up houses. What we sought to bring to you by featuring Curry's structure on the cover is the vision of an artist who has rendered something meaningful from what's left of the material debris and what's left of the visual language exhausted by a relentless 24-hour media cycle. That type of consideration is what Cite does best. Currently located outside the Lawdale Art Center, you can crawl inside NIMBY. The sun shines through the colorful shards of shattered signage used for the roof tiles like light through stained glass in a cathedral. With a measure of humility, I ask that you take some time to crawl inside the latest Cite. And send your thoughts to me at editor [at] offcite [dot] org. Below are highlights and the full table of contents: An article by scholar Susan Rogers looks at the roots of the housing crisis. She traces the history of efforts to create affordable housing to the current implosion of the ownership model. The most troubling data she presents is that the best efforts of the city and conscientious designers barely scratch the surface of the problem. Madeleine Hamm recalls the heady days of the Astrodome's early years and covers efforts to save the structure. For many in Houston, Ike already seems a strange memory, something that happened in another life or to a different person. This timeline by poet Antonio Jocson puts you right back into the hour-by-hour experience of the storm. Classic Cite. A thoughtful and beautifully written review by Ronnie Self of a new building that deserves it - the Brochstein Pavilion. Take a look at the full table of contents below. Table of Contents Guest Editors: Barry Moore and Susan Rogers Citings Gala: RDA celebrates Discovery Green Calendar: Lectures, Tours, Conference RDA News: Delange Conference, Buffalo Bayou Charrette, 99K Exhibition and Groundbreaking Art: Made from Ike Innovation: Solar Decathlon Community: 99K House Catalog Preface Features Building the American Dream: The Politics of Housing by Susan Rogers The Astrodome: The Glory Days, the Decline, the Future by Madeleine McDermott Hamm Advisories: An Account of Ike's Path by Antonio Jocson Soul Searching: Galveston Historical Foundation Challenged by Ike by Sandy Sheehy Inspirations: A Review of the Brochstein Pavilion by Ronnie Self Boom Times for Texas School Design by Tom McKittrick Readings Catherine Burke and Ian Grosvenor's School by Barry Moore Hindcite Buckboard Park: A Mosaic of Interests by Reginald Adams and Troy Gooden

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MOCAH students make art. Photo by Reginald Adams

Reginald Adams
  • Reginald Adams
  • Dec. 1, 2008
  • 3:00 PM

A Mosaic of Interests: MOCAH and Buckboard Park

MOCAH students make art. Photo by Reginald Adams

During the summer of 1999, when my wife, Rhonda Radford-Adams, and I stepped out on a limb and decided to both quit our jobs to begin on an incredible journey now known as the Museum of Cultural Arts Houston (MOCAH), we had no idea what impact our work would have on Houston. What we did know for sure was that we were committed to the idea of bringing public art and creative learning and life experiences to inner-city youth and communities. Through a myriad of public/private partnerships and collaborations involving development authorities, schools, community organizations, and major corporations, MOCAH has been enabled to fulfill its mission of using art and creativity as tools for social and community development. Almost ten years later we are both honored to be co-founders of an organization that has actively and deeply engaged more than 11,500 youth, ages 8-18, in the design and production of more than 90 murals, sculptures and other public art projects. The public/private partnerships that have been forged to facilitate this body of work has supported more than $2 million in social investments in some of Houston’s most underserved neighborhoods. MOCAH’s two most recent partnerships embody the power and potential that such collaborations can have, not only on the community but on the lives of people in the community. This summer young MOCAH artists created public artworks for Buckboard Park, which is a development through Greenspoint Redevelopment Authority in collaboration with Knudson & Associates. The Dinerstein Company, in collaboration with Clark Condon & Associates, sponsored the design and production of a series of three mosaic murals for the swimming pool courtyard of the Millennium Greenway Luxury Apartments. This summer more than a dozen high school students from all over Houston converged in a downtown studio for MOCAH’s Public Art Camp (MPAC). The big picture for MPAC is to provide middle school and high school aged youth with indelible vocational experiences in designing and producing public art. The young participants must accrue 50 hours of community service with MOCAH in order to become eligible to receive a paid apprenticeship through MPAC. During the 50 hour community service period the young artists learn how to enhance an environment using public art. They experience a transformation of their own as they spend more than 400 contact hours working alongside professional artists to learn about teamwork, planning, design, and production of public art. The artwork for Buckboard Park includes 12 mosaic sidewalk medallion inlays, five mosaic hopscotch patterns, and a giant 40-foot-long and 5-foot-tall mosaic caterpillar play structure. The second half of the apprenticeship was spent creating the three mosaic murals for the Dinerstein Company apartment development. Jessica DeAlba, a 17 year old senior at HSPVA, is a great example of how this work can impact the life of a young person. Jessica became involved in a MOCAH project when she was a fifth grader at Edison Middle School. During her stint at Edison MS, Jessica was involved in the design and production of over 25 mosaic murals that line the hallways and exterior walls of the campus. From then on Jessica found a way to keep herself engaged in virtually every public art project that MOCAH produced. She now has more than 40 public art projects in her portfolio and she has not even graduated from high school. Because of her intense project experience and aptitude for leadership, this summer Jessica served as the MPAC Youth Project Manager, a role she carried out with the confidence and determination of a seasoned professional. “It’s a big challenge and a lot of responsibility to have to be in charge of people who are as old or even older than you, but it’s also fun to work on these projects and help other teens realize that they can do something positive and creative that makes a difference in the community,” says DeAlba. At the end of the day, these types of partnerships are playing an incredibly vital role in supporting local artists, empowering youth, revitalizing communities, and creating lasting legacies for residents and visitors to Houston to appreciate for generations to come. Oftentimes the process alone takes years to plan and sometimes longer to complete, and because of the sporadic occurrences of these types of projects in neighborhoods and communities across Houston it’s not always easy to see and even more difficult to measure the impact of these partnerships. Nevertheless, the effects are real and the transformations are taking place one brush stroke, one ceramic tile, one child, one block, and one community at a time. Businesses and organizations that initiate and embrace such partnerships are accelerating the transformation of Houston into a truly world class artistic and cultural destination. These partnerships are helping change the lives of youth that may never know exactly what a redevelopment authority or commercial developer does but they will never forget what these types of experiences have done and are doing to make their life and the community they live in a better place. Reginald Adams Executive Director/MOCAH Click here for a map.

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